A REPORT
THE DECCAN VOICES
THE DECCAN VOICES
at Vidyaranya School – 8th
December 2019
And when the night is cloudy, there is
still a light that shines on me,
shine until tomorrow, let it be. 'Let
it be'. The Beatles
Before the morning's music began, Joe
Koster who hosted the programme announced his farewell to Hyderabad. So, this
concert was his farewell gift to the city in which he and his wife Ines had
loved to live in for so many years.
He then called for one minute's silence in
memory of Vijay Marur, the prominent member of the twin cities cultural
environment and trustee of the Hyderabad Western Music Foundation.
Music is the magic through which the
present is celebrated, the past is remembered and the future is welcomed
What a lively bunch of singers they are,
these 'Deccan Voices'! An individual singing is hard
enough, but it is even more difficult for sixteen voices to sing together in
harmony, singing different parts and yet keeping the beat, staying in tune and
enlivening the music by synchronising their voices, articulating words and
modulating volume - the Deccan Voices did all this really well, blending
smoothly in one voice.
And what an enjoyable selection of music
they presented to give our day a good start! The Deccan Voices choral ensemble
conducted by Joe Koster and accompanied on piano by Jay Parthe and Clayton
Sheehan on guitar regaled us in the audience with spirited singing in good
voice and perfect harmony, singing songs by ABBA from the musical and movie
'Mama Mia', a medley of historic Beatles songs, they sang Dil Se Re… by A.R.
Rehman, 'Africa, by Toto, Bohemian Rhapsody by Queen, and other songs by John
Rutter. The men's ensemble sang Happy Together by the Turtles. On two of the
songs, Dil Se Re and Africa the ensenble were accompanied by a tabla player,
Mathew Peter.
Celebrating a diversity of
musical experiences
The mornings' programme of music didn't begin and end with the
Deccan
Voices. A few of Joe Koster's students performed as well. There was Frederic
Chopin's Scherzo in B flat minor, played by young virtuoso, pianist,
Yash Agarwal, who more than played the composition, but interpreted it with
intelligent understanding beyond his years. Then there was Schubert's Adagio from Sonata
No 8 for viola/piano, played on viola by Hema Bojja, accompanied by Joe Koster on piano,
where Hema displayed a
a good tonal quality on the viola. Mathew Peter, the Tabla player who
accompanied the Deccan voices on two songs, then sat at the piano
and played a composition
by impressionist composer Claude Debussy, Prélude no. 4; Book 1 “Les
sons et les parfums tournent dans l’air du soir” which he rendered with a sensitively that did justice to the
composition.
enthralled the audience with
a dazzling jazz guitar solo. His strong technique, the intensity of improvisation and solid rhythmic feel was nothing
less than hugely
And at last, the pianist, I was personally
waiting to hear, was presented, Jay Parthe, the conservatory trained pianist from
Mumbai who is now teaching piano in the twin cities, played Bach: Prelude
from English Suite no. 2 in A-minor; and he did not disappoint, he
respected the structure of this beautiful piece and displayed accuracy and a good understanding of
staccato playing in this piece by Bach, his handling with both hands, though he paced it
at a moderate speed, allowed the music to
flow with rhythmic musicality.
Music
celebrates the present, memorialises the past and the welcomes future
The new music forum that would take
the baton of Western music forward in the twin cities, the Hyderabad Western
Music Academy was introduced by Joseph Daniel, a founder/trustee of HWMA who,
addressed the audience on HWMA's vision and mission. Raghav Rao is another founder/trustee
of the HWMA. Both are members/voices in the Deccan Voices.
And
then, at the end of the morning concert, Raghav Rao, Nandini Rao and Daphne
deRebello spoke and commended Joe Koster for his contribution to Western music
in Hyderabad and the musical initiatives he had brought to the twin cities.
Gifts were given and compliments were exchanged.
The whole audience wished Joe
and Ines farewell, and as Joe said, they leave with a tear in one eye and a
smile in the other, the listeners, colleagues, students, fellow members of
various organisations that he belonged too rose up as one to wish him farewell
with a tear in one eye and a smile in the other for their musical journey in
the twin cities, and for their legacy of music that memorialised the past, celebrated the
present and the welcomes future.
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